Biography

Originally hailing from Pittsburgh, Pennsylvania, Clifton’s musical journey commenced at the age of 6, venturing into classical piano studies under the guidance of pianist Kathryn Barnard. His musical roots also took hold in the church, providing a formative experience that laid the foundation for his profound connection to music. This early exposure to the emotive and spiritual aspects of music within a church setting became integral to his musical expression, shaping his approach to both performance and composition.

In addition to his early proficiency on the piano, Clifton demonstrated versatility by playing bass, drums, and guitar in church during his youth. This diverse musical upbringing not only broadened his instrumental skills but also set the stage for seamless collaboration across various genres later in his musical career.

Transitioning to jazz piano at Duquesne University’s City School of Music in his 9th-grade year under Jazz Piano Professor Ron Bickel, Clifton delved into the vibrant world of jazz. During this period, he became actively involved in the local Pittsburgh jazz scene, drawing inspiration from notable pianists Howie Alexander and Alton Merrell. These influences, along with regular attendance at the Interval Monday jazz jam session at the Ava Lounge, allowed Clifton to “sit in” with seasoned musicians, contributing significantly to his development.

Networking with local musicians of his age, Clifton joined the Center of Life (COL) Jazz Band, a non-profit organization providing gigging opportunities for young talents. Noteworthy musicians, including Benny Bennack III, George Heid III, Brett Williams, and Anton Defade, all alumni of the COL Jazz band, continue to be prominent figures in the Pittsburgh Jazz scene. Clifton’s major recording debut was with the COL Jazz Band, featuring his composition “Precious,” a heartfelt tribute to his father’s passing from colon cancer during his 5th-grade year.

Upon receiving the Pitt-BNY Mellon Jazz Scholarship in 2012, Clifton embarked on his academic journey at the University of Pittsburgh. Here, he had the rare privilege of studying under jazz piano master Frank Cunimundo, gaining insights from Cunimundo’s experiences with Ahmad Jamal and Ray Brown and learning the oral tradition of jazz directly from the source. Additionally, Clifton received mentorship from the late pianist Geri Allen, paving the way for him to become a featured soloist in local performances and sharing the stage with jazz luminaries such as Joe Lovano, Bobby Watson, Larry Coryell, Carl Allen, Terri Lynn Carrington, and Dwayne Dolphin.

In 2016, Clifton released his debut EP ‘Reflection,’ featuring collaborations with drummer Terry Levels and bassist Jason Rafalak. His diverse musical palette led to engagements with various groups, including The Steel Town Horns with world-renowned drummer Poogie Bell and the Ruckus Brothers group, organizing Motown Tribute shows at Pittsburgh’s esteemed jazz venue, James Street Gastropub and Speakeasy. He also embarked on a collaboration with singer Cait Cuneo, performing his first gig in New York City with her at Rockwood Music Hall.

Post-graduation, Clifton brought his musical versatility to Houston, Texas, where he quickly became a pivotal part of the city’s dynamic jazz scene. Forming a trio with drummer Gavin Moolchan and Grammy-award winning bassist Tim Ruiz, Clifton began making regular appearances in the local music circuit. His collaborations expanded to include vibraphonist Jalen Baker, Shelley Carrol, and Andre Heyward with the Houston Jazz Collective, the Houston Jazz Fusion group Groove Adhesive, guitarists Kelly Doyle and Bill Solley, and the Houston Ensemble, showcasing his adaptability across various musical genres. Clifton’s engagements also extended to performing with the current BB King Blues Band, led by BB King’s musical director James Bolden.

In addition to his jazz pursuits, Clifton collaborated with Houston icon DJ Sun and the Aperio Orchestra this past year for a live concert of DJ Sun’s record “Loveletter” at the Miller Outdoor Theater. He has performed on local Houston television and was also a featured artist for Rebel Magazine. Clifton’s participation in events like the Houston Jazz Festival, the Texas Jazz Festival, and a live recording with the Houston Ensemble at Monk’s Jazz Club in Austin, TX, demonstrates his ability to captivate diverse audiences in different musical settings.

Renowned as a top-call pianist in Houston, Clifton is sought after for a myriad of musical experiences, including jazz gigs, pop gigs, solo piano performances, recording sessions, church events, and teaching lessons. He has the experience of playing all sizes of venues from small jazz clubs and restaurants to large stages in front of thousands of people. Beyond technical proficiency, what sets Clifton apart is his musical maturity and depth, transcending his age. His collaborative spirit and positive energy enrich every musical experience, establishing him as a standout artist in the contemporary music scene.

At the heart of Clifton’s musical endeavors is the goal of uniting people from all walks of life through music. His music serves as a unifying force, fostering connections among diverse audiences. Embracing vulnerability and imperfection, Clifton presents honest art that is genuine and authentic, providing a space for listeners to connect with images evoked in his compositions.

Inspired by a diverse array of artists, Clifton draws from pianists such as Herbie Hancock, Chick Corea, McCoy Tyner, Benny Green, Ahmad Jamal, Monty Alexander, Oscar Peterson, Aaron Parks, Gerald Clayton, and Robert Glasper. Current interests find Clifton exploring the Hammond Organ, solidifying his place as a well-known organist in Houston. Dedicated to continuing the jazz organ legacy, he honors legends like Jimmy Smith, Joey DeFrancesco, Larry Young, and Shirley Scott.

As Clifton continues to evolve as a musician, he remains committed to exploring new sonic landscapes and pushing the boundaries of his artistry. Currently in the process of recording his first full-length album of original compositions set for release in the coming year, Clifton stands as a prominent and forward-thinking figure in the contemporary jazz scene.